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Inside the famous Pavilion of the São Paulo Art Biennial, the young Mayan Edgar Calel is no longer a body, an immutability imprisoned by the framework of modern white architecture. Very white. He thus becomes air; multiple, ungraspable, uncapturable. “Sharpening words with my eyes”, he offers us another possibility to reflect upon the existence of beings and their capacity for representation. Now that we are facing Calel, we need to de-calibrate how we locate ourselves in time and space.Read moreLess
Inside the famous Pavilion of the São Paulo Art Biennial, the young Mayan Edgar Calel is no longer a body, an immutability imprisoned by the framework of modern white architecture. Very white. He thus becomes air; multiple, ungraspable, uncapturable. “Sharpening words with my eyes”, he offers us another possibility to reflect upon the existence of beings and their capacity for representation. Now that we are facing Calel, we need to de-calibrate how we locate ourselves in time and space.
The story
Inside the famous Pavilion of the São Paulo Art Biennial, the young Mayan Edgar Calel is no longer a body, an immutability imprisoned by the framework of modern white architecture. Very white. He thus becomes air; multiple, ungraspable, uncapturable. “Sharpening words with my eyes”, he offers us another possibility to reflect upon the existence of beings and their capacity for representation. Now that we are facing Calel, we need to de-calibrate how we locate ourselves in time and space.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Fernando Pereira dos Santos
- Director
- Edgar Calel