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When sculptor John Greer and filmmaker Stewart Applegath began shooting, they had no destination, only a desire to journey together in a row boat with camera in hand. Over six years, they rowed a fair distance. breakSurface documents these travels, and the extent to which Greer’s world is leavened with debilitating anxiety. Greer’s powerful sculpture is visually simple, conceptually complex, but silent; he identifies with Jonathan Swift’s "man of objects" who lays out things, not words, to be understood. Applegath, however, doesn’t make this film to replace words, but by embracing them.Read moreLess
When sculptor John Greer and filmmaker Stewart Applegath began shooting, they had no destination, only a desire to journey together in a row boat with camera in hand. Over six years, they rowed a fair distance. breakSurface documents these travels, and the extent to which Greer’s world is leavened with debilitating anxiety. Greer’s powerful sculpture is visually simple, conceptually complex, but silent; he identifies with Jonathan Swift’s "man of objects" who lays out things, not words, to be understood. Applegath, however, doesn’t make this film to replace words, but by embracing them.
The story
When sculptor John Greer and filmmaker Stewart Applegath began shooting, they had no destination, only a desire to journey together in a row boat with camera in hand. Over six years, they rowed a fair distance. breakSurface documents these travels, and the extent to which Greer’s world is leavened with debilitating anxiety. Greer’s powerful sculpture is visually simple, conceptually complex, but silent; he identifies with Jonathan Swift’s "man of objects" who lays out things, not words, to be understood. Applegath, however, doesn’t make this film to replace words, but by embracing them.
Cast & crew
Explore the crew
- Director
- Stewart Applegath
- Director of Photography
- Stewart Applegath
- Editor
- Stewart Applegath
- Producer
- Stewart Applegath