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Sur tes cendres

Film202135 min

Directed by Joachim Michaux

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My entrance into Lebanon was through my encounter with Yasmeen Baz, a young Lebanese producer of electronic music, and with her father Patrick. It is through their inner voices that I try to paint a sensitive and subjective portrait of contemporary Lebanon. I also witnessed the gradual emergence of a third character, the city of Beirut, which is constantly being destroyed and rebuilt, and which carries within itself the heritage of their past. Beyond a confrontation between inner truth and objective reality, this film is a reflection on violence and interrogates the need to see and produce images of destruction, thereby echoing the war photojournalism of Patrick Baz.Read moreLess

My entrance into Lebanon was through my encounter with Yasmeen Baz, a young Lebanese producer of electronic music, and with her father Patrick. It is through their inner voices that I try to paint a sensitive and subjective portrait of contemporary Lebanon. I also witnessed the gradual emergence of a third character, the city of Beirut, which is constantly being destroyed and rebuilt, and which carries within itself the heritage of their past. Beyond a confrontation between inner truth and objective reality, this film is a reflection on violence and interrogates the need to see and produce images of destruction, thereby echoing the war photojournalism of Patrick Baz.

The story

My entrance into Lebanon was through my encounter with Yasmeen Baz, a young Lebanese producer of electronic music, and with her father Patrick. It is through their inner voices that I try to paint a sensitive and subjective portrait of contemporary Lebanon. I also witnessed the gradual emergence of a third character, the city of Beirut, which is constantly being destroyed and rebuilt, and which carries within itself the heritage of their past. Beyond a confrontation between inner truth and objective reality, this film is a reflection on violence and interrogates the need to see and produce images of destruction, thereby echoing the war photojournalism of Patrick Baz.

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