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"Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography. With the rise of Nazism, this historical jewel of a Biedermeier cemetery was variously desecrated and became an overgrown wilderness, though passersby noted it sounded as if a paradise of birds was locked behind its high stone walls. The graveyard today bears further scars of political and inertial neglect. Without the care of generations displaced or killed during the Nazi era, graves have been decimated by the falling branches and uncontrolled growth of ancient trees while the words and symbols on tombstones disappear into dust. Singing in Oblivion interweaves footage shot on location with images painstakingly lifted from antique glass negatives and printed one frame at a time in a darkroom onto 35mm film strips." - Eve HellerRead moreLess
"Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography. With the rise of Nazism, this historical jewel of a Biedermeier cemetery was variously desecrated and became an overgrown wilderness, though passersby noted it sounded as if a paradise of birds was locked behind its high stone walls. The graveyard today bears further scars of political and inertial neglect. Without the care of generations displaced or killed during the Nazi era, graves have been decimated by the falling branches and uncontrolled growth of ancient trees while the words and symbols on tombstones disappear into dust. Singing in Oblivion interweaves footage shot on location with images painstakingly lifted from antique glass negatives and printed one frame at a time in a darkroom onto 35mm film strips." - Eve Heller
The story
"Vienna’s Jewish Währinger cemetery opened to the public in 1784, during an era of tolerance and prosperity that eventually coincided with the dawn of photography. With the rise of Nazism, this historical jewel of a Biedermeier cemetery was variously desecrated and became an overgrown wilderness, though passersby noted it sounded as if a paradise of birds was locked behind its high stone walls. The graveyard today bears further scars of political and inertial neglect. Without the care of generations displaced or killed during the Nazi era, graves have been decimated by the falling branches and uncontrolled growth of ancient trees while the words and symbols on tombstones disappear into dust. Singing in Oblivion interweaves footage shot on location with images painstakingly lifted from antique glass negatives and printed one frame at a time in a darkroom onto 35mm film strips." - Eve Heller
Cast & crew
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- Director
- Eve Heller