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Expanding on Partially Buried, Partially Buried Continued focuses on the mingling of past and present by reflecting on the photographic medium. The video reexamines slide films taken during the Korean War by Green’s father; photographs taken in Korea in Kwangju on May 18, 1980, during the democratic uprising and brutal state-sponsored response; and photographs taken by the artist in Kwangju and Seoul during a residency in 1997. Using the works of Robert Smithson and Theresa Hak Kyung Cha as touchstones, Green reflects on memory, memorials, and remembrance, while exploring the complexities of how we find ourselves entangled in relationships to countries, nationalities, and specific moments in time. (Video Data Bank)Read moreLess
Expanding on Partially Buried, Partially Buried Continued focuses on the mingling of past and present by reflecting on the photographic medium. The video reexamines slide films taken during the Korean War by Green’s father; photographs taken in Korea in Kwangju on May 18, 1980, during the democratic uprising and brutal state-sponsored response; and photographs taken by the artist in Kwangju and Seoul during a residency in 1997. Using the works of Robert Smithson and Theresa Hak Kyung Cha as touchstones, Green reflects on memory, memorials, and remembrance, while exploring the complexities of how we find ourselves entangled in relationships to countries, nationalities, and specific moments in time. (Video Data Bank)
The story
Expanding on Partially Buried, Partially Buried Continued focuses on the mingling of past and present by reflecting on the photographic medium. The video reexamines slide films taken during the Korean War by Green’s father; photographs taken in Korea in Kwangju on May 18, 1980, during the democratic uprising and brutal state-sponsored response; and photographs taken by the artist in Kwangju and Seoul during a residency in 1997. Using the works of Robert Smithson and Theresa Hak Kyung Cha as touchstones, Green reflects on memory, memorials, and remembrance, while exploring the complexities of how we find ourselves entangled in relationships to countries, nationalities, and specific moments in time. (Video Data Bank)
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- Director
- Renée Green