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Getijden poster

Getijden

Film200812 min

Directed by Karel Doing

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'Getijden' consists of 8 parts, a carousel of images and sounds revolving in a mysterious parallel world, and filled with different emotions and states-of-mind; longing, passion, liberation, drive, dedication, realisation, transformation and reflection. The making of this film was like weaving a Persian carpet. Spread out over a period of two years I lived with this project, the filming was done in different seasons on carefully chosen locations and days. The complete crew and cast consisted of two people, a performance in itself. The eight different parts are shot on a variety of film emulsions, each with a specific characteristic. The raw material is digitally mastered and manipulated. The film has a peculiar structure, no beginning-middle-end but, eight parts that form a cycle. A short film, an endless film. (Karel Doing)Read moreLess

'Getijden' consists of 8 parts, a carousel of images and sounds revolving in a mysterious parallel world, and filled with different emotions and states-of-mind; longing, passion, liberation, drive, dedication, realisation, transformation and reflection. The making of this film was like weaving a Persian carpet. Spread out over a period of two years I lived with this project, the filming was done in different seasons on carefully chosen locations and days. The complete crew and cast consisted of two people, a performance in itself. The eight different parts are shot on a variety of film emulsions, each with a specific characteristic. The raw material is digitally mastered and manipulated. The film has a peculiar structure, no beginning-middle-end but, eight parts that form a cycle. A short film, an endless film. (Karel Doing)

The story

'Getijden' consists of 8 parts, a carousel of images and sounds revolving in a mysterious parallel world, and filled with different emotions and states-of-mind; longing, passion, liberation, drive, dedication, realisation, transformation and reflection. The making of this film was like weaving a Persian carpet. Spread out over a period of two years I lived with this project, the filming was done in different seasons on carefully chosen locations and days. The complete crew and cast consisted of two people, a performance in itself. The eight different parts are shot on a variety of film emulsions, each with a specific characteristic. The raw material is digitally mastered and manipulated. The film has a peculiar structure, no beginning-middle-end but, eight parts that form a cycle. A short film, an endless film. (Karel Doing)

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Director
Karel Doing