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Infinite Loop. In his Tempestaire (2020), Jacques Perconte digitally interprets the meteorological imagery of Jean Epstein's film Le Tempestaire (1947). After capturing images of a storm in Cap Fagnet, Normandy, Perconte translates the atmospheric vibrations of the elements and colours of nature into vibrations of digital images whose pixellized textures and deconstructed take on a pictorial dimension reminiscent of the landscape painting of Romanticism and Impressionism. Perconte's work is a generative video in which images, constantly fed by software, never repeat themselves. The duration of the video is therefore potentially unlimited.Read moreLess
Infinite Loop. In his Tempestaire (2020), Jacques Perconte digitally interprets the meteorological imagery of Jean Epstein's film Le Tempestaire (1947). After capturing images of a storm in Cap Fagnet, Normandy, Perconte translates the atmospheric vibrations of the elements and colours of nature into vibrations of digital images whose pixellized textures and deconstructed take on a pictorial dimension reminiscent of the landscape painting of Romanticism and Impressionism. Perconte's work is a generative video in which images, constantly fed by software, never repeat themselves. The duration of the video is therefore potentially unlimited.
The story
Infinite Loop. In his Tempestaire (2020), Jacques Perconte digitally interprets the meteorological imagery of Jean Epstein's film Le Tempestaire (1947). After capturing images of a storm in Cap Fagnet, Normandy, Perconte translates the atmospheric vibrations of the elements and colours of nature into vibrations of digital images whose pixellized textures and deconstructed take on a pictorial dimension reminiscent of the landscape painting of Romanticism and Impressionism. Perconte's work is a generative video in which images, constantly fed by software, never repeat themselves. The duration of the video is therefore potentially unlimited.
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- Director
- Jacques Perconte