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2019 in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…Read moreLess
2019 in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…
The story
2019 in Hong Kong, protests become our daily life. The stuffs in the streets after each protest are changing our urban landscape, and they become the view of our everyday life. Graffitis on walls, unscrewed railings, bricks, respirators, safety goggles. Everything records what has happened in the city and witnesses our beliefs. I walked through the streets with my camera after protests. Mr. LIU Yi Chang let the objects tell the story in his nouveau roman short story, Riot, in 1968. Likewise, I let the objects play the narrators and tell us about the protests. Moreover, there are conversations and dialectic between different narrators…
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- Director
- Iu Chung Hong