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The fleeting inverted image of the landscape in the raindrops as they swell from drop to drip is an optical phenomenon, but to me it’s pure magic. And then they form streams and pulse hypnotically like luminous quicksilver. (..) I shot this film with a Beaulieu wind-up 16 mm. movie camera from the ’60s and film stock that was at least ten years out of date. The film was shot on a balcony with an awning while my wife napped in the next room with one of our boys. They slept so deeply that even the thunder did not wake them. - Jeff ScherRead moreLess
The fleeting inverted image of the landscape in the raindrops as they swell from drop to drip is an optical phenomenon, but to me it’s pure magic. And then they form streams and pulse hypnotically like luminous quicksilver. (..) I shot this film with a Beaulieu wind-up 16 mm. movie camera from the ’60s and film stock that was at least ten years out of date. The film was shot on a balcony with an awning while my wife napped in the next room with one of our boys. They slept so deeply that even the thunder did not wake them. - Jeff Scher
The story
The fleeting inverted image of the landscape in the raindrops as they swell from drop to drip is an optical phenomenon, but to me it’s pure magic. And then they form streams and pulse hypnotically like luminous quicksilver. (..) I shot this film with a Beaulieu wind-up 16 mm. movie camera from the ’60s and film stock that was at least ten years out of date. The film was shot on a balcony with an awning while my wife napped in the next room with one of our boys. They slept so deeply that even the thunder did not wake them. - Jeff Scher
Cast & crew
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- Director
- Jeff Scher