No community ratings yet on FilmStash · 0 membersOne score per member · Verified member ratings
Charging scenes of the present with dystopian speculation, "Field Resistance" blurs the boundaries between documentary filmmaking and science fiction to investigate overlooked environmental devastation in the overlooked state of Iowa. Footage collected from disparate locations—a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job site, a decaying grain silo, among others—interlocks to evoke a narrative of present danger and future disaster, of plant expansion and humanity's retreat. The film rejects the human individual as the focus of narrative cinema, and, instead, adopts the perspective of a symbiotic "implosive whole" in which human and nonhumans are related in an overlapping, non-total way.Read moreLess
Charging scenes of the present with dystopian speculation, "Field Resistance" blurs the boundaries between documentary filmmaking and science fiction to investigate overlooked environmental devastation in the overlooked state of Iowa. Footage collected from disparate locations—a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job site, a decaying grain silo, among others—interlocks to evoke a narrative of present danger and future disaster, of plant expansion and humanity's retreat. The film rejects the human individual as the focus of narrative cinema, and, instead, adopts the perspective of a symbiotic "implosive whole" in which human and nonhumans are related in an overlapping, non-total way.
The story
Charging scenes of the present with dystopian speculation, "Field Resistance" blurs the boundaries between documentary filmmaking and science fiction to investigate overlooked environmental devastation in the overlooked state of Iowa. Footage collected from disparate locations—a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job site, a decaying grain silo, among others—interlocks to evoke a narrative of present danger and future disaster, of plant expansion and humanity's retreat. The film rejects the human individual as the focus of narrative cinema, and, instead, adopts the perspective of a symbiotic "implosive whole" in which human and nonhumans are related in an overlapping, non-total way.
Watch trailerCast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Emily Drummer
- Editor
- Emily Drummer
- Producer
- Emily Drummer
- Director of Photography
- Emily Drummer