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Danse des primates au Muséum d’Histoires Naturelles poster

Danse des primates au Muséum d’Histoires Naturelles

Film19993 min

Directed by Dominik Lange

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This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in passing. The primates of the title (for once, this film has a title, and an insistent one at that) are the men, women and children who visit the museum. A man, a woman, a family with children detach themselves from their surroundings; their images are reworked, re-framed and edited so that they become intermingled with a series of luminous wide shots of vegetation. In this air-conditioned location, the film-maker has managed to give a certain luxuriance to the surrounding nature; the human visitors, in turn, reclaim something of their cosmic dimension from dubious civilization.Read moreLess

This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in passing. The primates of the title (for once, this film has a title, and an insistent one at that) are the men, women and children who visit the museum. A man, a woman, a family with children detach themselves from their surroundings; their images are reworked, re-framed and edited so that they become intermingled with a series of luminous wide shots of vegetation. In this air-conditioned location, the film-maker has managed to give a certain luxuriance to the surrounding nature; the human visitors, in turn, reclaim something of their cosmic dimension from dubious civilization.

The story

This film is composed of a series of very short shots. The two principal motifs are human and vegetal, with a few animals briefly glimpsed in passing. The primates of the title (for once, this film has a title, and an insistent one at that) are the men, women and children who visit the museum. A man, a woman, a family with children detach themselves from their surroundings; their images are reworked, re-framed and edited so that they become intermingled with a series of luminous wide shots of vegetation. In this air-conditioned location, the film-maker has managed to give a certain luxuriance to the surrounding nature; the human visitors, in turn, reclaim something of their cosmic dimension from dubious civilization.

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