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No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.Read moreLess
No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.
The story
No Love Lost opens on an abandoned factory, or industrial space. Blood on the concrete floor and the sound of violence off-screen. The back of a blonde torso flicks in and out of view, smacking down methodically. Neither the sound heard nor the body shown can be attached to a gender, and the viewer is even unsure which limbs belong to which bodies. There are long pauses where the screen goes dark and only the sounds of grunts and impact can be heard. A fight scene without the fight: just sounds, flickering images of limbs and hair.
Cast & crew
Explore the crew
- Director
- Lola Clavo
- Writer
- Lola Clavo
- Producer
- Helena Matamala
- Director of Photography
- Emilio Guerra
- Editor
- Elodie Leuthould
Belén Fabra