No community ratings yet on FilmStash · 0 membersOne score per member · Verified member ratings
There were two initial impulses for the film: the paintings of John Turner (whence the bracketed title ”sun vision”) whose almost-not-there paintings dovetail with the space I find myself in at this stage of life: at the frontier between youth and old age, not all-is-still-to-come but not all-is-over yet either; and the spirit-filled paintings of Emily Carr, particularly her later swirling treetops and skies.Read moreLess
There were two initial impulses for the film: the paintings of John Turner (whence the bracketed title ”sun vision”) whose almost-not-there paintings dovetail with the space I find myself in at this stage of life: at the frontier between youth and old age, not all-is-still-to-come but not all-is-over yet either; and the spirit-filled paintings of Emily Carr, particularly her later swirling treetops and skies.
The story
There were two initial impulses for the film: the paintings of John Turner (whence the bracketed title ”sun vision”) whose almost-not-there paintings dovetail with the space I find myself in at this stage of life: at the frontier between youth and old age, not all-is-still-to-come but not all-is-over yet either; and the spirit-filled paintings of Emily Carr, particularly her later swirling treetops and skies.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Barbara Sternberg
- Producer
- Barbara Sternberg
- Writer
- Barbara Sternberg