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Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.Read moreLess
Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.
The story
Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.
Cast & crew
Cast information isn’t available yet.
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- Editor
- Conor Bateman
- Director
- Conor Bateman