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For Landscape for Fire, Anthony McCall and members of the British artist collaborative Exit followed McCall’s pre-determined score to torch containers of flammable material across a field. McCall describes it: "Over a three-year period, I did a number of these sculptural performances in landscape. Fire was the medium. The performances were based on a square grid defined by 36 small fires (6 x 6). The pieces, which usually took place at dusk, had a systematic, slowly changing structure." The work brought the grid — a conceptual focus for many artists in the 1970s and after — into a natural landscape, merging it with the vagaries of outdoor space and fire.Read moreLess
For Landscape for Fire, Anthony McCall and members of the British artist collaborative Exit followed McCall’s pre-determined score to torch containers of flammable material across a field. McCall describes it: "Over a three-year period, I did a number of these sculptural performances in landscape. Fire was the medium. The performances were based on a square grid defined by 36 small fires (6 x 6). The pieces, which usually took place at dusk, had a systematic, slowly changing structure." The work brought the grid — a conceptual focus for many artists in the 1970s and after — into a natural landscape, merging it with the vagaries of outdoor space and fire.
The story
For Landscape for Fire, Anthony McCall and members of the British artist collaborative Exit followed McCall’s pre-determined score to torch containers of flammable material across a field. McCall describes it: "Over a three-year period, I did a number of these sculptural performances in landscape. Fire was the medium. The performances were based on a square grid defined by 36 small fires (6 x 6). The pieces, which usually took place at dusk, had a systematic, slowly changing structure." The work brought the grid — a conceptual focus for many artists in the 1970s and after — into a natural landscape, merging it with the vagaries of outdoor space and fire.
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- Director
- Anthony McCall