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Moving Stillness: Mount Rainier 1979, by incorporating a large body of water, with video and sound recordings of nature, was pioneering in its use of mixed media. It is a meditation on the fragility of nature and our perception of its changes over time. A screen is suspended above a large shallow pool of water. A projector with three separate beams (one each for red, green and blue light) sends an image of Mount Rainier to the surface of the water that then bounces up to reach the rear projection screen. At periodic intervals, the water’s surface is manually disturbed causing the three beams of color to separate, until finally becoming an unrecognizable pattern of form and color. Slowly the water settles, to once more form a coherent image after the surface vibrations subside.Read moreLess
Moving Stillness: Mount Rainier 1979, by incorporating a large body of water, with video and sound recordings of nature, was pioneering in its use of mixed media. It is a meditation on the fragility of nature and our perception of its changes over time. A screen is suspended above a large shallow pool of water. A projector with three separate beams (one each for red, green and blue light) sends an image of Mount Rainier to the surface of the water that then bounces up to reach the rear projection screen. At periodic intervals, the water’s surface is manually disturbed causing the three beams of color to separate, until finally becoming an unrecognizable pattern of form and color. Slowly the water settles, to once more form a coherent image after the surface vibrations subside.
The story
Moving Stillness: Mount Rainier 1979, by incorporating a large body of water, with video and sound recordings of nature, was pioneering in its use of mixed media. It is a meditation on the fragility of nature and our perception of its changes over time. A screen is suspended above a large shallow pool of water. A projector with three separate beams (one each for red, green and blue light) sends an image of Mount Rainier to the surface of the water that then bounces up to reach the rear projection screen. At periodic intervals, the water’s surface is manually disturbed causing the three beams of color to separate, until finally becoming an unrecognizable pattern of form and color. Slowly the water settles, to once more form a coherent image after the surface vibrations subside.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Bill Viola