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The Death of a King

Film20147 min

Directed by Amiel Courtin-Wilson

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A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.Read moreLess

A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.

The story

A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.

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