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We live in interesting times poster

We live in interesting times

Film201525 min

Directed by Mike Dunford

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The piece is built on a framework of tracking down and up a parking garage staircase, with a carwash in the basement, (since demolished) the same take repeated a number of times, and therefore a different, but same repetition. A second strand of the work is formed by an ostensibly unconnected set of ideas and concerns, dealing with the gradual movement of our social system from a democratic, to an oligarchic global system. The gradual abstraction of the staircase into colour fields, text, the actress singing and repeating a dialog sequence to camera, make a shifting montage without narrative connection. There is no metaphor in this work.It‘s a loose bag of ideas, some connected, others just there as images, to be organized by the viewer, not really an essay, but thoughts on despair.Read moreLess

The piece is built on a framework of tracking down and up a parking garage staircase, with a carwash in the basement, (since demolished) the same take repeated a number of times, and therefore a different, but same repetition. A second strand of the work is formed by an ostensibly unconnected set of ideas and concerns, dealing with the gradual movement of our social system from a democratic, to an oligarchic global system. The gradual abstraction of the staircase into colour fields, text, the actress singing and repeating a dialog sequence to camera, make a shifting montage without narrative connection. There is no metaphor in this work.It‘s a loose bag of ideas, some connected, others just there as images, to be organized by the viewer, not really an essay, but thoughts on despair.

The story

The piece is built on a framework of tracking down and up a parking garage staircase, with a carwash in the basement, (since demolished) the same take repeated a number of times, and therefore a different, but same repetition. A second strand of the work is formed by an ostensibly unconnected set of ideas and concerns, dealing with the gradual movement of our social system from a democratic, to an oligarchic global system. The gradual abstraction of the staircase into colour fields, text, the actress singing and repeating a dialog sequence to camera, make a shifting montage without narrative connection. There is no metaphor in this work.It‘s a loose bag of ideas, some connected, others just there as images, to be organized by the viewer, not really an essay, but thoughts on despair.

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Director
Mike Dunford