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The film starts with an extreme close-up of television static. Through a series of carefully controlled processes, the abstract nature of the image (which is concerned with pattern, colour and time), is juxtapositioned with the formal images of domestic room interiors and exteriors. With this work, Leggett questions the legibility of the image, examining the illusion produced by the two great illusionists – television and cinema – and the extent to which these can be manipulated and do manipulate.Read moreLess
The film starts with an extreme close-up of television static. Through a series of carefully controlled processes, the abstract nature of the image (which is concerned with pattern, colour and time), is juxtapositioned with the formal images of domestic room interiors and exteriors. With this work, Leggett questions the legibility of the image, examining the illusion produced by the two great illusionists – television and cinema – and the extent to which these can be manipulated and do manipulate.
The story
The film starts with an extreme close-up of television static. Through a series of carefully controlled processes, the abstract nature of the image (which is concerned with pattern, colour and time), is juxtapositioned with the formal images of domestic room interiors and exteriors. With this work, Leggett questions the legibility of the image, examining the illusion produced by the two great illusionists – television and cinema – and the extent to which these can be manipulated and do manipulate.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Mike Leggett