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“I intend my films to jump out at you from their dark spaces, their gaps, their elisions, to vibrate in your whole being in the very manner and rhythm of felt experience” (John Du Cane) In Variant, objects and spaces (trees, ships in the harbour, a teapot and cups on the table, grassy fields) do appear to jump out at the spectators, moving rapidly towards them. The film’s speed suggests the idea of an impermanent flux, attempting to create a transient, felt experience. Variant “pushes to experiential and formal extremes the deployment of schematic and repetitive structures.” (Federico Windhausen)Read moreLess
“I intend my films to jump out at you from their dark spaces, their gaps, their elisions, to vibrate in your whole being in the very manner and rhythm of felt experience” (John Du Cane) In Variant, objects and spaces (trees, ships in the harbour, a teapot and cups on the table, grassy fields) do appear to jump out at the spectators, moving rapidly towards them. The film’s speed suggests the idea of an impermanent flux, attempting to create a transient, felt experience. Variant “pushes to experiential and formal extremes the deployment of schematic and repetitive structures.” (Federico Windhausen)
The story
“I intend my films to jump out at you from their dark spaces, their gaps, their elisions, to vibrate in your whole being in the very manner and rhythm of felt experience” (John Du Cane) In Variant, objects and spaces (trees, ships in the harbour, a teapot and cups on the table, grassy fields) do appear to jump out at the spectators, moving rapidly towards them. The film’s speed suggests the idea of an impermanent flux, attempting to create a transient, felt experience. Variant “pushes to experiential and formal extremes the deployment of schematic and repetitive structures.” (Federico Windhausen)
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- John Du Cane