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The Fall of Icarus proposes the magnification by the camera of a concrete material, the simple sand placed on a flat screen illuminated from behind, to reveal the changes of form and the movements of the matter once in contact with the elements: water, fire, earth and air. Particular care has been taken in the correspondence between sound and image: the compositions of the image (colors, knots of density, movements) surprisingly find their equivalence on the sound level in the music of Mireille CHAMASS.Read moreLess
The Fall of Icarus proposes the magnification by the camera of a concrete material, the simple sand placed on a flat screen illuminated from behind, to reveal the changes of form and the movements of the matter once in contact with the elements: water, fire, earth and air. Particular care has been taken in the correspondence between sound and image: the compositions of the image (colors, knots of density, movements) surprisingly find their equivalence on the sound level in the music of Mireille CHAMASS.
The story
The Fall of Icarus proposes the magnification by the camera of a concrete material, the simple sand placed on a flat screen illuminated from behind, to reveal the changes of form and the movements of the matter once in contact with the elements: water, fire, earth and air. Particular care has been taken in the correspondence between sound and image: the compositions of the image (colors, knots of density, movements) surprisingly find their equivalence on the sound level in the music of Mireille CHAMASS.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Editor
- Marie-Claire Patris
- Director
- Gérard Patris