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Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount)Read moreLess
Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount)
The story
Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasy…) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editing…). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embrace…:to mount)
Cast & crew
Cast information isn’t available yet.
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- Director
- Xavier Baert