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TV Fighter (CAM-ERA-PLANE), 1977 plays with the experiences of real-time and the video copy, presenting in several iterations a fragment of World War II footage taken from the point of view of a fighter plane as it machine-guns targets on land and sea. Using a Russian-doll structure of images repeatedly rerecorded and reframed, Hall toys with the viewer’s manifold experiences of live and recorded time: the historical time of archival footage, the live experience of watching it on a screen, the déjà vu of watching that “live” footage again on another monitor. This nesting of recorded images within other recorded images implies an emergent sensibility in which the present moment is continually being recorded and reframed by audiovisual apparatus, but crucially Hall’s approach to this phenomenon is as playful as it is provocative. (artforum)Read moreLess
TV Fighter (CAM-ERA-PLANE), 1977 plays with the experiences of real-time and the video copy, presenting in several iterations a fragment of World War II footage taken from the point of view of a fighter plane as it machine-guns targets on land and sea. Using a Russian-doll structure of images repeatedly rerecorded and reframed, Hall toys with the viewer’s manifold experiences of live and recorded time: the historical time of archival footage, the live experience of watching it on a screen, the déjà vu of watching that “live” footage again on another monitor. This nesting of recorded images within other recorded images implies an emergent sensibility in which the present moment is continually being recorded and reframed by audiovisual apparatus, but crucially Hall’s approach to this phenomenon is as playful as it is provocative. (artforum)
The story
TV Fighter (CAM-ERA-PLANE), 1977 plays with the experiences of real-time and the video copy, presenting in several iterations a fragment of World War II footage taken from the point of view of a fighter plane as it machine-guns targets on land and sea. Using a Russian-doll structure of images repeatedly rerecorded and reframed, Hall toys with the viewer’s manifold experiences of live and recorded time: the historical time of archival footage, the live experience of watching it on a screen, the déjà vu of watching that “live” footage again on another monitor. This nesting of recorded images within other recorded images implies an emergent sensibility in which the present moment is continually being recorded and reframed by audiovisual apparatus, but crucially Hall’s approach to this phenomenon is as playful as it is provocative. (artforum)
Cast & crew
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- Director
- David Hall