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During the Great Depression, the Historical Section of the Farm Security Administration documented American society in photographs. Thousands of the pictures made under the program’s auspices from 1935 to 1943 were rejected, or in Stryker’s term, killed. Roy Stryker and his assistants routinely killed 35mm negatives by punching holes in them, thereby rendering them unusable for publication. All killed negatives were preserved and filed away, but they remained unprinted, and until recently, unseen. When the Library of Congress began making high resolution digital scans of FSA negatives available on its website, it included many rejected images, and among them, a small number of killed negatives mutilated by a hole punch. In “Killed,” these suppressed images downloaded from the Library of Congress website have been reframed with the holes as the central feature, and edited in a quick montage showing glimpses of an unofficial view of Depression-era America.Read moreLess
During the Great Depression, the Historical Section of the Farm Security Administration documented American society in photographs. Thousands of the pictures made under the program’s auspices from 1935 to 1943 were rejected, or in Stryker’s term, killed. Roy Stryker and his assistants routinely killed 35mm negatives by punching holes in them, thereby rendering them unusable for publication. All killed negatives were preserved and filed away, but they remained unprinted, and until recently, unseen. When the Library of Congress began making high resolution digital scans of FSA negatives available on its website, it included many rejected images, and among them, a small number of killed negatives mutilated by a hole punch. In “Killed,” these suppressed images downloaded from the Library of Congress website have been reframed with the holes as the central feature, and edited in a quick montage showing glimpses of an unofficial view of Depression-era America.
The story
During the Great Depression, the Historical Section of the Farm Security Administration documented American society in photographs. Thousands of the pictures made under the program’s auspices from 1935 to 1943 were rejected, or in Stryker’s term, killed. Roy Stryker and his assistants routinely killed 35mm negatives by punching holes in them, thereby rendering them unusable for publication. All killed negatives were preserved and filed away, but they remained unprinted, and until recently, unseen. When the Library of Congress began making high resolution digital scans of FSA negatives available on its website, it included many rejected images, and among them, a small number of killed negatives mutilated by a hole punch. In “Killed,” these suppressed images downloaded from the Library of Congress website have been reframed with the holes as the central feature, and edited in a quick montage showing glimpses of an unofficial view of Depression-era America.
Cast & crew
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- Director
- William E. Jones