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In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.Read moreLess
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.
The story
In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.
Cast & crew
Paolo Graziosi
Massimo Sarchielli
Carlo Cecchi
Angelica Ippolito
Ruggero MitiExplore the crew
- Director of Photography
- Aldo Boria
- Director of Photography
- Tonino Nardi
- Director of Photography
- Mario Masini
- Director of Photography
- Alfredo Leonardi
- Director
- Sylvano Bussotti