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Sunday's Best

Film201617 min

Directed by Larry Achiampong

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As part of his current research Larry Achiampong is interested in the mutations of traditions and language that are birthed as a result of colonisation, and how they affect people today. In particular, the relationship with Christian imperialism and its impact on his tribe: the Ashanti. Sunday’s Best considers how belief systems within the diaspora are inflected by these colonial histories in the present day. The work is a confluence of the vivid sounds and images of praise and worship sessions in a Ghanaian community church married with the stark interiors of a Roman Catholic Church. Documented across a number of sites in London, Sunday’s Best maps out a narrative of coming to terms with the incongruence of faith practices that straddle western and non-western influences.Read moreLess

As part of his current research Larry Achiampong is interested in the mutations of traditions and language that are birthed as a result of colonisation, and how they affect people today. In particular, the relationship with Christian imperialism and its impact on his tribe: the Ashanti. Sunday’s Best considers how belief systems within the diaspora are inflected by these colonial histories in the present day. The work is a confluence of the vivid sounds and images of praise and worship sessions in a Ghanaian community church married with the stark interiors of a Roman Catholic Church. Documented across a number of sites in London, Sunday’s Best maps out a narrative of coming to terms with the incongruence of faith practices that straddle western and non-western influences.

The story

As part of his current research Larry Achiampong is interested in the mutations of traditions and language that are birthed as a result of colonisation, and how they affect people today. In particular, the relationship with Christian imperialism and its impact on his tribe: the Ashanti. Sunday’s Best considers how belief systems within the diaspora are inflected by these colonial histories in the present day. The work is a confluence of the vivid sounds and images of praise and worship sessions in a Ghanaian community church married with the stark interiors of a Roman Catholic Church. Documented across a number of sites in London, Sunday’s Best maps out a narrative of coming to terms with the incongruence of faith practices that straddle western and non-western influences.

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