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In a collage of private scenes and fragments of medialized events as part of the “war on terror”, Guli Silberstein uses his typical method of digital image degradation with the help of compression algorithms to draw attention to the actual process of remediating images and thus in two way raises questions as to their representation, credibility, and the emotions that they can carry.Read moreLess
In a collage of private scenes and fragments of medialized events as part of the “war on terror”, Guli Silberstein uses his typical method of digital image degradation with the help of compression algorithms to draw attention to the actual process of remediating images and thus in two way raises questions as to their representation, credibility, and the emotions that they can carry.
The story
In a collage of private scenes and fragments of medialized events as part of the “war on terror”, Guli Silberstein uses his typical method of digital image degradation with the help of compression algorithms to draw attention to the actual process of remediating images and thus in two way raises questions as to their representation, credibility, and the emotions that they can carry.
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- Director
- Guli Silberstein