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Delphi Falls

Film201720 min

Directed by Mary Helena Clark

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By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions - the suggestion of a story, the anchoring of actors as protagonists - to have the viewer constantly questioning who or what they are, and where they are located in the film’s world.Read moreLess

By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions - the suggestion of a story, the anchoring of actors as protagonists - to have the viewer constantly questioning who or what they are, and where they are located in the film’s world.

The story

By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions - the suggestion of a story, the anchoring of actors as protagonists - to have the viewer constantly questioning who or what they are, and where they are located in the film’s world.

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