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The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.Read moreLess
The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.
The story
The materiality of reversal-film is being portrayed. This analogue technology, with its exposed chemical skeleton is clashing in an anachronistic filmic gag with contemporary digital animation. Colour is not presented as a natural, but a highly constructed medium in the expierence of film. This is a short experimental-essay which is questioning canonized and hegemonic film-rituals used to build and test cinematic-images.
Cast & crew
Explore the crew
- Producer
- Maria Luz Olivares Capelle
- Director of Photography
- Maria Luz Olivares Capelle
- Director
- Maria Luz Olivares Capelle
- Director of Photography
- Ralph Voltron
- Director of Photography
- Serafin Spitzer
- Director of Photography
- Almut Schilling