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Landfall was shot in Prince Edward Island, near the family home on the Northumberland Strait. The original footage, shot in 1974, was a kind of interactive, camera “dance” with the environment. Poetry became important when the footage was later superimposed onto its own mirror-image, to help direct the viewer away from the luring yet limited world of image-identification. “I Thought There Were Limits,” by Quebec poet D.G. Jones, w as used to encourage the viewer to reject Newtonian notions of space and time, and to conceptualize the film’s interplay between absence, desire, and presence. Eventually, the limitation of text as spoken signifier is exposed through dynamic visual techniques reminiscent of concrete poetry. (RH)Read moreLess
Landfall was shot in Prince Edward Island, near the family home on the Northumberland Strait. The original footage, shot in 1974, was a kind of interactive, camera “dance” with the environment. Poetry became important when the footage was later superimposed onto its own mirror-image, to help direct the viewer away from the luring yet limited world of image-identification. “I Thought There Were Limits,” by Quebec poet D.G. Jones, w as used to encourage the viewer to reject Newtonian notions of space and time, and to conceptualize the film’s interplay between absence, desire, and presence. Eventually, the limitation of text as spoken signifier is exposed through dynamic visual techniques reminiscent of concrete poetry. (RH)
The story
Landfall was shot in Prince Edward Island, near the family home on the Northumberland Strait. The original footage, shot in 1974, was a kind of interactive, camera “dance” with the environment. Poetry became important when the footage was later superimposed onto its own mirror-image, to help direct the viewer away from the luring yet limited world of image-identification. “I Thought There Were Limits,” by Quebec poet D.G. Jones, w as used to encourage the viewer to reject Newtonian notions of space and time, and to conceptualize the film’s interplay between absence, desire, and presence. Eventually, the limitation of text as spoken signifier is exposed through dynamic visual techniques reminiscent of concrete poetry. (RH)
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Rick Hancox