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Anri Sala created the encounter between his Albanian heritage – a snapshot of the famous Studio Marubi, which had introduced photography into the Balkans as from end of the 19TH century – and a masterpiece of French art – Le Déjeuner sur l’herbe by Édouard Manet – in an incongruous juxtaposition. We can see three women in traditional costume busying themselves around a sewing machine; the view is frontal, the pose frozen, a pure “Studio Marubi” snapshot. The insertion of a detail from Le Déjeuner sur l’herbe within this image looks like an “accidental encounter” introducing colours and nudity into a very classic photo. The characters in Déjeuner are gradually “swallowed up” by the sewing machine which soon will have finished weaving a traditional dress for the naked young woman painted by Manet, making her similar to the seamstresses. In less than a minute and in a manner apparently light even poetic, Anri Sala touches on the main themes so dear to this work.Read moreLess
Anri Sala created the encounter between his Albanian heritage – a snapshot of the famous Studio Marubi, which had introduced photography into the Balkans as from end of the 19TH century – and a masterpiece of French art – Le Déjeuner sur l’herbe by Édouard Manet – in an incongruous juxtaposition. We can see three women in traditional costume busying themselves around a sewing machine; the view is frontal, the pose frozen, a pure “Studio Marubi” snapshot. The insertion of a detail from Le Déjeuner sur l’herbe within this image looks like an “accidental encounter” introducing colours and nudity into a very classic photo. The characters in Déjeuner are gradually “swallowed up” by the sewing machine which soon will have finished weaving a traditional dress for the naked young woman painted by Manet, making her similar to the seamstresses. In less than a minute and in a manner apparently light even poetic, Anri Sala touches on the main themes so dear to this work.
The story
Anri Sala created the encounter between his Albanian heritage – a snapshot of the famous Studio Marubi, which had introduced photography into the Balkans as from end of the 19TH century – and a masterpiece of French art – Le Déjeuner sur l’herbe by Édouard Manet – in an incongruous juxtaposition. We can see three women in traditional costume busying themselves around a sewing machine; the view is frontal, the pose frozen, a pure “Studio Marubi” snapshot. The insertion of a detail from Le Déjeuner sur l’herbe within this image looks like an “accidental encounter” introducing colours and nudity into a very classic photo. The characters in Déjeuner are gradually “swallowed up” by the sewing machine which soon will have finished weaving a traditional dress for the naked young woman painted by Manet, making her similar to the seamstresses. In less than a minute and in a manner apparently light even poetic, Anri Sala touches on the main themes so dear to this work.
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- Director
- Anri Sala