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The Mountain Where Everything Is Upside Down poster

The Mountain Where Everything Is Upside Down

Film20075 min10.0/10 on TMDB

Directed by Shana Moulton

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Video artist Shana Moulton's The Mountain Where Everything Is Upside Down is even better, immersing the viewer in a hallucinatory workout room where the artist's alter-ego—a hypochondriac named Cynthia—achieves ecstatic rapture after trepanning her skull with a magic crystal. As she often does, Moulton scrambles the lexicons of new age spirituality with fitness and beauty fads to comment on mankind's desperate need to put its faith in something. Of course, these shorts—garishly colorful, freewheeling in their use of disparate cultural signifiers—succeed on the level of spectacle. Much of the work here strives for more than flashy visuals, but, in this case, that flash feels very substantial.Read moreLess

Video artist Shana Moulton's The Mountain Where Everything Is Upside Down is even better, immersing the viewer in a hallucinatory workout room where the artist's alter-ego—a hypochondriac named Cynthia—achieves ecstatic rapture after trepanning her skull with a magic crystal. As she often does, Moulton scrambles the lexicons of new age spirituality with fitness and beauty fads to comment on mankind's desperate need to put its faith in something. Of course, these shorts—garishly colorful, freewheeling in their use of disparate cultural signifiers—succeed on the level of spectacle. Much of the work here strives for more than flashy visuals, but, in this case, that flash feels very substantial.

The story

Video artist Shana Moulton's The Mountain Where Everything Is Upside Down is even better, immersing the viewer in a hallucinatory workout room where the artist's alter-ego—a hypochondriac named Cynthia—achieves ecstatic rapture after trepanning her skull with a magic crystal. As she often does, Moulton scrambles the lexicons of new age spirituality with fitness and beauty fads to comment on mankind's desperate need to put its faith in something. Of course, these shorts—garishly colorful, freewheeling in their use of disparate cultural signifiers—succeed on the level of spectacle. Much of the work here strives for more than flashy visuals, but, in this case, that flash feels very substantial.

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