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In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).Read moreLess
In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).
The story
In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).
Cast & crew
Cast information isn’t available yet.
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- Director
- Pierre Hébert