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A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.Read moreLess
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
The story
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Hans Richter
- Director of Photography
- Reimar Kuntze
- Writer
- Werner Graeff
- Writer
- Hans Richter
- Editor
- Hans Richter