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Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.Read moreLess
Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.
The story
Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.
Watch trailerCast & crew
Explore the crew
- Director
- Kerstin Steeb
- Writer
- Kerstin Steeb
- Writer
- Ethel Smyth
- Writer
- Henry Brewster
- Writer
- Ivana Sokola
