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Five volumes. 31 hours. One collapsing multiverse.
"The Straw That Broke" is a surrealist, micro-budget meta-fiction feature blending retro-futuristic aesthetics with philosophy to explore the boundaries between reality and the digital realm. "The virtual is viral," announces Clea Bardan, editor at DeBase SF, to Claudia Weiss, her overworked author of futuristic pulp fiction. Clea demands an impossible task: write five volumes within 31 hours. Claudia's journey spans from Stuttgart to Nueva York, a Harkonnen spaceship, and a water-based planet holding the secret to saving the multiverse from the O-Cloud—a virus destroying sentient life at its ontological core. But how much of this reality is authentic, and can a talking mouse from Claudia's own stories save the multiverse? Using diverse cinematic devices, the film tackles deep metaphysical questions while remaining a poignant story about loss, love, and hope for us all.Read moreLess
"The Straw That Broke" is a surrealist, micro-budget meta-fiction feature blending retro-futuristic aesthetics with philosophy to explore the boundaries between reality and the digital realm. "The virtual is viral," announces Clea Bardan, editor at DeBase SF, to Claudia Weiss, her overworked author of futuristic pulp fiction. Clea demands an impossible task: write five volumes within 31 hours. Claudia's journey spans from Stuttgart to Nueva York, a Harkonnen spaceship, and a water-based planet holding the secret to saving the multiverse from the O-Cloud—a virus destroying sentient life at its ontological core. But how much of this reality is authentic, and can a talking mouse from Claudia's own stories save the multiverse? Using diverse cinematic devices, the film tackles deep metaphysical questions while remaining a poignant story about loss, love, and hope for us all.
The story
"The Straw That Broke" is a surrealist, micro-budget meta-fiction feature blending retro-futuristic aesthetics with philosophy to explore the boundaries between reality and the digital realm. "The virtual is viral," announces Clea Bardan, editor at DeBase SF, to Claudia Weiss, her overworked author of futuristic pulp fiction. Clea demands an impossible task: write five volumes within 31 hours. Claudia's journey spans from Stuttgart to Nueva York, a Harkonnen spaceship, and a water-based planet holding the secret to saving the multiverse from the O-Cloud—a virus destroying sentient life at its ontological core. But how much of this reality is authentic, and can a talking mouse from Claudia's own stories save the multiverse? Using diverse cinematic devices, the film tackles deep metaphysical questions while remaining a poignant story about loss, love, and hope for us all.
Watch trailerCast & crew
Robert BestaRoithammer
Manuel HarderMarkusExplore the crew
- Director
- Valentin Hennig
- Producer
- Valentin Hennig
- Screenplay
- Tom Whalen
- Producer
- Tom Whalen
- Editor
- Valentin Hennig