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In an experimental deconstruction of filmic history, a fictional ‘china girl’ confronts the medium and industry that produced her orientalist name. Contrary to the term’s racial connotations, these anonymous models, used for the calibration of exposure and colour in film since the 1920s, were largely white. Drawing from this phenomena, ‘China Girl’ transforms one of cinema’s most invisible yet essential figures through a speculative manifesto on race, visibility, and narrative.Read moreLess
In an experimental deconstruction of filmic history, a fictional ‘china girl’ confronts the medium and industry that produced her orientalist name. Contrary to the term’s racial connotations, these anonymous models, used for the calibration of exposure and colour in film since the 1920s, were largely white. Drawing from this phenomena, ‘China Girl’ transforms one of cinema’s most invisible yet essential figures through a speculative manifesto on race, visibility, and narrative.
The story
In an experimental deconstruction of filmic history, a fictional ‘china girl’ confronts the medium and industry that produced her orientalist name. Contrary to the term’s racial connotations, these anonymous models, used for the calibration of exposure and colour in film since the 1920s, were largely white. Drawing from this phenomena, ‘China Girl’ transforms one of cinema’s most invisible yet essential figures through a speculative manifesto on race, visibility, and narrative.
Cast & crew
Explore the crew
- Director of Photography
- Esther Edusi
- Producer
- Mars Zaslavsky
- Director
- Sophia Yuet See
- Producer
- Sophia Yuet See
- Editor
- Sophia Yuet See
- Editor
- Saffi Adler
- Editor
- Tam-Anh Nguyen
- Screenplay
- Sophia Yuet See