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Three cards in hand, gold on the table—we are in the middle of a game of prime, a precursor to poker. Eight gold coins lie before the female player, about a dozen before the young man: the stakes are very high. This painting depicts three card players and a servant; their mouths are closed, their gestures and gazes suspended. The cheat looks directly at the viewer, an ace of diamonds hidden in his belt—his face alone is fully illuminated. His diamond cards suggest money and sexual commerce, while those of his opponent, spades, evoke misfortune and a struggle against fate. In La Tour’s time, several edicts were issued against dice cheats and swindlers. This painting, like The Fortune Teller, illustrates a saying common at the time: “Love, wine, and gambling have ruined more than one man.”Read moreLess
Three cards in hand, gold on the table—we are in the middle of a game of prime, a precursor to poker. Eight gold coins lie before the female player, about a dozen before the young man: the stakes are very high. This painting depicts three card players and a servant; their mouths are closed, their gestures and gazes suspended. The cheat looks directly at the viewer, an ace of diamonds hidden in his belt—his face alone is fully illuminated. His diamond cards suggest money and sexual commerce, while those of his opponent, spades, evoke misfortune and a struggle against fate. In La Tour’s time, several edicts were issued against dice cheats and swindlers. This painting, like The Fortune Teller, illustrates a saying common at the time: “Love, wine, and gambling have ruined more than one man.”
The story
Three cards in hand, gold on the table—we are in the middle of a game of prime, a precursor to poker. Eight gold coins lie before the female player, about a dozen before the young man: the stakes are very high. This painting depicts three card players and a servant; their mouths are closed, their gestures and gazes suspended. The cheat looks directly at the viewer, an ace of diamonds hidden in his belt—his face alone is fully illuminated. His diamond cards suggest money and sexual commerce, while those of his opponent, spades, evoke misfortune and a struggle against fate. In La Tour’s time, several edicts were issued against dice cheats and swindlers. This painting, like The Fortune Teller, illustrates a saying common at the time: “Love, wine, and gambling have ruined more than one man.”
Cast & crew
Cast information isn’t available yet.
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- Director
- Alain Jaubert