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Arriflesh

Film197411 min

Directed by Peter von Ziegesar

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Arriflesh is a diary film recording a period I spent, very much at loose ends, dividing my time between Vermont and New York City. During those months I was also filming Horseflesh, so they are companion films. Various friends filled my universe in that confused, interim period: Cindy Revel, Margery Cohen, Tony Heath, and a bearded neighbor who was perpetually collecting scrap wood and who eventually made me a very complete astrological chart. In imitation of Jack Kerouac's Ray Smith in The Dharma Bums, I would walk up into the snowy hills every afternoon to meditate alone among the trees, with the same results as Kerouac…nada and a sense of the stony muteness of nature. This whole period was colored by memories of a teenage cousin who’d shot himself in a house just a few miles away, two years before. Like my bearded neighbor I was collecting scraps in the hope that they would someday come together into a cohesive whole.Read moreLess

Arriflesh is a diary film recording a period I spent, very much at loose ends, dividing my time between Vermont and New York City. During those months I was also filming Horseflesh, so they are companion films. Various friends filled my universe in that confused, interim period: Cindy Revel, Margery Cohen, Tony Heath, and a bearded neighbor who was perpetually collecting scrap wood and who eventually made me a very complete astrological chart. In imitation of Jack Kerouac's Ray Smith in The Dharma Bums, I would walk up into the snowy hills every afternoon to meditate alone among the trees, with the same results as Kerouac…nada and a sense of the stony muteness of nature. This whole period was colored by memories of a teenage cousin who’d shot himself in a house just a few miles away, two years before. Like my bearded neighbor I was collecting scraps in the hope that they would someday come together into a cohesive whole.

The story

Arriflesh is a diary film recording a period I spent, very much at loose ends, dividing my time between Vermont and New York City. During those months I was also filming Horseflesh, so they are companion films. Various friends filled my universe in that confused, interim period: Cindy Revel, Margery Cohen, Tony Heath, and a bearded neighbor who was perpetually collecting scrap wood and who eventually made me a very complete astrological chart. In imitation of Jack Kerouac's Ray Smith in The Dharma Bums, I would walk up into the snowy hills every afternoon to meditate alone among the trees, with the same results as Kerouac…nada and a sense of the stony muteness of nature. This whole period was colored by memories of a teenage cousin who’d shot himself in a house just a few miles away, two years before. Like my bearded neighbor I was collecting scraps in the hope that they would someday come together into a cohesive whole.

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