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The videos No.1, Lover Man, 90 Grad in Berlin, Party and No.5 (1977) were filmed from a monitor in 16mm in 1980 and fused together into a single film: "Marktstr! 1A." Although nothing was altered in the videos—nothing added or omitted—a new work emerged. The medial transformation of individual videos into a coherent 16mm film creates a qualitatively different art object in terms of temporal, material, and perspectival perception. (Uta Brandes 1984)Read moreLess
The videos No.1, Lover Man, 90 Grad in Berlin, Party and No.5 (1977) were filmed from a monitor in 16mm in 1980 and fused together into a single film: "Marktstr! 1A." Although nothing was altered in the videos—nothing added or omitted—a new work emerged. The medial transformation of individual videos into a coherent 16mm film creates a qualitatively different art object in terms of temporal, material, and perspectival perception. (Uta Brandes 1984)
The story
The videos No.1, Lover Man, 90 Grad in Berlin, Party and No.5 (1977) were filmed from a monitor in 16mm in 1980 and fused together into a single film: "Marktstr! 1A." Although nothing was altered in the videos—nothing added or omitted—a new work emerged. The medial transformation of individual videos into a coherent 16mm film creates a qualitatively different art object in terms of temporal, material, and perspectival perception. (Uta Brandes 1984)
Cast & crew
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- Director
- Rotraut Pape