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Indigurrito

Film199215 min

Directed by Nao Bustamante

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Indigurrito is Nao Bustamante's contribution to the many performances that commemorated the 500 anniversary of the conquest of America. The title mixes the term "indigenous" with "burrito," the name of the famous Mexican wrap. In the performance, Bustamante challenged the white men in the audience to go onstage to express their apologies for the years of oppression of indigenous peoples by eating a piece of a burrito that Bustamante had strapped on to her hips. With humor and sarcasm, Bustamante addressed the issues that the 500-year commemoration brought to collective attention. Her piece also denounces how art institutions forced artists to pay tribute to the date if they wanted to get funding.Read moreLess

Indigurrito is Nao Bustamante's contribution to the many performances that commemorated the 500 anniversary of the conquest of America. The title mixes the term "indigenous" with "burrito," the name of the famous Mexican wrap. In the performance, Bustamante challenged the white men in the audience to go onstage to express their apologies for the years of oppression of indigenous peoples by eating a piece of a burrito that Bustamante had strapped on to her hips. With humor and sarcasm, Bustamante addressed the issues that the 500-year commemoration brought to collective attention. Her piece also denounces how art institutions forced artists to pay tribute to the date if they wanted to get funding.

The story

Indigurrito is Nao Bustamante's contribution to the many performances that commemorated the 500 anniversary of the conquest of America. The title mixes the term "indigenous" with "burrito," the name of the famous Mexican wrap. In the performance, Bustamante challenged the white men in the audience to go onstage to express their apologies for the years of oppression of indigenous peoples by eating a piece of a burrito that Bustamante had strapped on to her hips. With humor and sarcasm, Bustamante addressed the issues that the 500-year commemoration brought to collective attention. Her piece also denounces how art institutions forced artists to pay tribute to the date if they wanted to get funding.

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