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Refraction can be very satisfying. Especially when working with camera original Ektachrome on 16mm. There is nothing not to love about camera original Ektachrome – except perhaps its vulnerability as a 'one off'. It is beautifully suited to optical experiments and for exploring what is going on in the lens. Here we play with the endless dance of specular reflections on water.Read moreLess
Refraction can be very satisfying. Especially when working with camera original Ektachrome on 16mm. There is nothing not to love about camera original Ektachrome – except perhaps its vulnerability as a 'one off'. It is beautifully suited to optical experiments and for exploring what is going on in the lens. Here we play with the endless dance of specular reflections on water.
The story
Refraction can be very satisfying. Especially when working with camera original Ektachrome on 16mm. There is nothing not to love about camera original Ektachrome – except perhaps its vulnerability as a 'one off'. It is beautifully suited to optical experiments and for exploring what is going on in the lens. Here we play with the endless dance of specular reflections on water.
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- Director
- Richard Tuohy