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Exploring écriture feminine and women’s structural narratives, the Custom Trailer Series reimagines Hollywood films through the structure of a traditional quilt pattern. Here, Austin Powers: The Spy Who Shagged Me has been recut to construct a starburst quilt, and then scanned as a film. The work exists both as a material object (the quilt) and the visual representation (the film), drawing attention to the materiality of the filmstrip and the patriarchal biases still present in commercial cinema.Read moreLess
Exploring écriture feminine and women’s structural narratives, the Custom Trailer Series reimagines Hollywood films through the structure of a traditional quilt pattern. Here, Austin Powers: The Spy Who Shagged Me has been recut to construct a starburst quilt, and then scanned as a film. The work exists both as a material object (the quilt) and the visual representation (the film), drawing attention to the materiality of the filmstrip and the patriarchal biases still present in commercial cinema.
The story
Exploring écriture feminine and women’s structural narratives, the Custom Trailer Series reimagines Hollywood films through the structure of a traditional quilt pattern. Here, Austin Powers: The Spy Who Shagged Me has been recut to construct a starburst quilt, and then scanned as a film. The work exists both as a material object (the quilt) and the visual representation (the film), drawing attention to the materiality of the filmstrip and the patriarchal biases still present in commercial cinema.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Kelly Egan