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Untitled Sequence

Film20173 min

Directed by Léna Lewis-King

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"Untitled Sequence", is an artist film that explores the material processes of filmmaking through sets, props, and animation.

"Untitled Sequence", is an artist film that explores the material processes of filmmaking such as visual narration, cinematography, soundtrack creation and film editing from the perspective of a young female artist – a perspective that is still under-represented in conventional filmmaking. The film engages with contemporary issues of identity and allegories of artistic practice, and is influenced by Jean Cocteau and Maya Deren’s films (particularly their creation of visual ‘dreamscapes’), Nobuhiko Ôbayashi (especially his editing processes) and Lee Miller’s embodiment of both the artist and the artist’s muse in her work both in front of and behind the camera.Read moreLess

"Untitled Sequence", is an artist film that explores the material processes of filmmaking such as visual narration, cinematography, soundtrack creation and film editing from the perspective of a young female artist – a perspective that is still under-represented in conventional filmmaking. The film engages with contemporary issues of identity and allegories of artistic practice, and is influenced by Jean Cocteau and Maya Deren’s films (particularly their creation of visual ‘dreamscapes’), Nobuhiko Ôbayashi (especially his editing processes) and Lee Miller’s embodiment of both the artist and the artist’s muse in her work both in front of and behind the camera.

The story

"Untitled Sequence", is an artist film that explores the material processes of filmmaking such as visual narration, cinematography, soundtrack creation and film editing from the perspective of a young female artist – a perspective that is still under-represented in conventional filmmaking. The film engages with contemporary issues of identity and allegories of artistic practice, and is influenced by Jean Cocteau and Maya Deren’s films (particularly their creation of visual ‘dreamscapes’), Nobuhiko Ôbayashi (especially his editing processes) and Lee Miller’s embodiment of both the artist and the artist’s muse in her work both in front of and behind the camera.

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