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Gammal bygd i ny tid, Näsby-Frövi poster

Gammal bygd i ny tid, Näsby-Frövi

Film195578 min

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Old Village in the New Age is a unique documentary about Näsby and Frövi. The film was shot in 1954 - 1955 on behalf of the Näsby Local History Association, at the same time that Frövi municipal community received "status" as a town. We meet the Frövi residents at work, at school, in the community, at home and at some of the year's holidays. The renovation of the church in 1953. We also get an insight into the business world of the time and several interesting meetings with the people of the village. As a local history film, it is very comprehensive and the production was very far-sighted and can be considered a valuable document of the time, not least from a film technical point of viewRead moreLess

Old Village in the New Age is a unique documentary about Näsby and Frövi. The film was shot in 1954 - 1955 on behalf of the Näsby Local History Association, at the same time that Frövi municipal community received "status" as a town. We meet the Frövi residents at work, at school, in the community, at home and at some of the year's holidays. The renovation of the church in 1953. We also get an insight into the business world of the time and several interesting meetings with the people of the village. As a local history film, it is very comprehensive and the production was very far-sighted and can be considered a valuable document of the time, not least from a film technical point of view

The story

Old Village in the New Age is a unique documentary about Näsby and Frövi. The film was shot in 1954 - 1955 on behalf of the Näsby Local History Association, at the same time that Frövi municipal community received "status" as a town. We meet the Frövi residents at work, at school, in the community, at home and at some of the year's holidays. The renovation of the church in 1953. We also get an insight into the business world of the time and several interesting meetings with the people of the village. As a local history film, it is very comprehensive and the production was very far-sighted and can be considered a valuable document of the time, not least from a film technical point of view

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Director of Photography
Caj Nilsson