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Pelle Police

Film200087 min

Directed by Pål Hollender

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The artist, in his youth subject to sexual molestation, confronts a pedophilic sex offender and policeman, still in duty. Half-way through the process of subtle exploration of the policeman’s reflections on his pedophilic behaviors, the artist sets a trap. The policeman finds himself trapped on film in a sexual interaction with the artist, resulting in a change of the set social construction between the both. The artist transforms into the offender and the policeman now becomes the victim – of the film. After this event the policeman starts “spilling the beans” in his more and more desperate attempts to find a way out of the project. But the policeman had given his consent to the film and all of its content.Read moreLess

The artist, in his youth subject to sexual molestation, confronts a pedophilic sex offender and policeman, still in duty. Half-way through the process of subtle exploration of the policeman’s reflections on his pedophilic behaviors, the artist sets a trap. The policeman finds himself trapped on film in a sexual interaction with the artist, resulting in a change of the set social construction between the both. The artist transforms into the offender and the policeman now becomes the victim – of the film. After this event the policeman starts “spilling the beans” in his more and more desperate attempts to find a way out of the project. But the policeman had given his consent to the film and all of its content.

The story

The artist, in his youth subject to sexual molestation, confronts a pedophilic sex offender and policeman, still in duty. Half-way through the process of subtle exploration of the policeman’s reflections on his pedophilic behaviors, the artist sets a trap. The policeman finds himself trapped on film in a sexual interaction with the artist, resulting in a change of the set social construction between the both. The artist transforms into the offender and the policeman now becomes the victim – of the film. After this event the policeman starts “spilling the beans” in his more and more desperate attempts to find a way out of the project. But the policeman had given his consent to the film and all of its content.

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