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Katja Raganelli was not solely interested in female filmmakers, but women artists in general. This early work offers a portrait of painter-educator-pacifist Anna Ottonie Krigar-Menzel, also known as Annot. Suppressed by the Nazis and forced into exile, it’s tempting to consider Annot a key inspiration for Raganelli, as one of her main works is a late 1920s cycle of paintings called Faces of Working Women, depicting female surgeons, physiotherapists, all manner of women’s labour.Read moreLess
Katja Raganelli was not solely interested in female filmmakers, but women artists in general. This early work offers a portrait of painter-educator-pacifist Anna Ottonie Krigar-Menzel, also known as Annot. Suppressed by the Nazis and forced into exile, it’s tempting to consider Annot a key inspiration for Raganelli, as one of her main works is a late 1920s cycle of paintings called Faces of Working Women, depicting female surgeons, physiotherapists, all manner of women’s labour.
The story
Katja Raganelli was not solely interested in female filmmakers, but women artists in general. This early work offers a portrait of painter-educator-pacifist Anna Ottonie Krigar-Menzel, also known as Annot. Suppressed by the Nazis and forced into exile, it’s tempting to consider Annot a key inspiration for Raganelli, as one of her main works is a late 1920s cycle of paintings called Faces of Working Women, depicting female surgeons, physiotherapists, all manner of women’s labour.
Cast & crew
Cast information isn’t available yet.
Explore the crew
- Director
- Katja Raganelli
- Writer
- Katja Raganelli
- Editor
- Christl Heider