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My concept for “Evident / Evidence” was to create a kind of “peep-show”, which involved the construction of a mock Florida shack, into which the spectator is forced to “peep” through a burglar viewer eyepiece INTO the interior dark space. By ringing the doorbell, the viewer ignites a film and a video loop, which project onto a plexiglass screen in the center of the dark space. The loops include images of fragile Florida nature (swamps, birds) and a video intercut of the Hollywood film, the Wizard of Oz, with the Hill-Thomas senate hearings. I was interested here in the making of a woman’s body and experience into spectacle (parallel with the exploitation of the natural environment in Florida) and the positing of evil and blame on her. The specific complications and contrasts of racial and cultural identity embedded in these issues was further developed by the intercutting of the Hollywood film.Read moreLess
My concept for “Evident / Evidence” was to create a kind of “peep-show”, which involved the construction of a mock Florida shack, into which the spectator is forced to “peep” through a burglar viewer eyepiece INTO the interior dark space. By ringing the doorbell, the viewer ignites a film and a video loop, which project onto a plexiglass screen in the center of the dark space. The loops include images of fragile Florida nature (swamps, birds) and a video intercut of the Hollywood film, the Wizard of Oz, with the Hill-Thomas senate hearings. I was interested here in the making of a woman’s body and experience into spectacle (parallel with the exploitation of the natural environment in Florida) and the positing of evil and blame on her. The specific complications and contrasts of racial and cultural identity embedded in these issues was further developed by the intercutting of the Hollywood film.
The story
My concept for “Evident / Evidence” was to create a kind of “peep-show”, which involved the construction of a mock Florida shack, into which the spectator is forced to “peep” through a burglar viewer eyepiece INTO the interior dark space. By ringing the doorbell, the viewer ignites a film and a video loop, which project onto a plexiglass screen in the center of the dark space. The loops include images of fragile Florida nature (swamps, birds) and a video intercut of the Hollywood film, the Wizard of Oz, with the Hill-Thomas senate hearings. I was interested here in the making of a woman’s body and experience into spectacle (parallel with the exploitation of the natural environment in Florida) and the positing of evil and blame on her. The specific complications and contrasts of racial and cultural identity embedded in these issues was further developed by the intercutting of the Hollywood film.
Cast & crew
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- Director
- Sandra Davis