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Performance Arirang

Film19828 min

Directed by Park Kwang-su, Kim Hong-joon, Hwang Gyu-deok, Moon Won-leep

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Performance Arirang is the first independent documentary produced outside the institutional system. Using Yeonwoo Stage theater group's production Pannori Arirang Gogae as its subject matter, the film takes a unique approach by separating visual and audio elements - showing rehearsal scenes, preparation footage, dressing room moments, and performance scenes while overlaying them with live performance audio, audience reactions, interviews, and recordings from Yeonwoo Stage's evaluation sessions. The intentional dissonance between visual and audio elements is interpreted as a means to actively engage viewers with the film. The inclusion of edited interviews from various individuals as off-screen sound suggests an intention to reflect on reality and reconsider the meaning of both Pannori Arirang Gogae and the film Performance Arirang within that reality.Read moreLess

Performance Arirang is the first independent documentary produced outside the institutional system. Using Yeonwoo Stage theater group's production Pannori Arirang Gogae as its subject matter, the film takes a unique approach by separating visual and audio elements - showing rehearsal scenes, preparation footage, dressing room moments, and performance scenes while overlaying them with live performance audio, audience reactions, interviews, and recordings from Yeonwoo Stage's evaluation sessions. The intentional dissonance between visual and audio elements is interpreted as a means to actively engage viewers with the film. The inclusion of edited interviews from various individuals as off-screen sound suggests an intention to reflect on reality and reconsider the meaning of both Pannori Arirang Gogae and the film Performance Arirang within that reality.

The story

Performance Arirang is the first independent documentary produced outside the institutional system. Using Yeonwoo Stage theater group's production Pannori Arirang Gogae as its subject matter, the film takes a unique approach by separating visual and audio elements - showing rehearsal scenes, preparation footage, dressing room moments, and performance scenes while overlaying them with live performance audio, audience reactions, interviews, and recordings from Yeonwoo Stage's evaluation sessions. The intentional dissonance between visual and audio elements is interpreted as a means to actively engage viewers with the film. The inclusion of edited interviews from various individuals as off-screen sound suggests an intention to reflect on reality and reconsider the meaning of both Pannori Arirang Gogae and the film Performance Arirang within that reality.

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