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Wheels/Trails

Film198710 min

Directed by Peter von Ziegesar

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Wheels/Trails draws inspirations from John Cage’s cut-and-splice sound collage, “Williams Mix,” which he composed using chance operations by throwing I-Ching sticks. Wheels/Trails juxtaposes actors speaking inane commercial dialogue that was randomly gleaned from television by means of a recorder programed by weather statistics, with film projection of native beans, feathers, and squash in slow motion, to make the point that the roads and highways of our urbanized civilization are built over ancient footpaths worn by Native peoples. Ultimately, the performance expresses the idea that we live in a mashup of cultures, where the present is a thin veneer stretched over the past. A droning electronic soundtrack by the band Short-Term Memory also suggests a missing presence. - P. V. Z.Read moreLess

Wheels/Trails draws inspirations from John Cage’s cut-and-splice sound collage, “Williams Mix,” which he composed using chance operations by throwing I-Ching sticks. Wheels/Trails juxtaposes actors speaking inane commercial dialogue that was randomly gleaned from television by means of a recorder programed by weather statistics, with film projection of native beans, feathers, and squash in slow motion, to make the point that the roads and highways of our urbanized civilization are built over ancient footpaths worn by Native peoples. Ultimately, the performance expresses the idea that we live in a mashup of cultures, where the present is a thin veneer stretched over the past. A droning electronic soundtrack by the band Short-Term Memory also suggests a missing presence. - P. V. Z.

The story

Wheels/Trails draws inspirations from John Cage’s cut-and-splice sound collage, “Williams Mix,” which he composed using chance operations by throwing I-Ching sticks. Wheels/Trails juxtaposes actors speaking inane commercial dialogue that was randomly gleaned from television by means of a recorder programed by weather statistics, with film projection of native beans, feathers, and squash in slow motion, to make the point that the roads and highways of our urbanized civilization are built over ancient footpaths worn by Native peoples. Ultimately, the performance expresses the idea that we live in a mashup of cultures, where the present is a thin veneer stretched over the past. A droning electronic soundtrack by the band Short-Term Memory also suggests a missing presence. - P. V. Z.

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